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Productions
Futura (2010)
by Jordan Harrison
A Play on War (2010)
by Jenny Connell and Rubén Polendo
The Seagull (2009)
by Anton Chekhov
Leah's Train (2009)
by Karen Hartman
Out Cry (2008)
by Tennessee Williams
Blind Mouth Singing (2007)
by Jorge Ignacio Cortiñas
Falsettoland (2007)
by William Finn
The House of Bernarda Alba (2007)
by Frederico Garcia Lorca
The Dispute (2006)
by Pierre Marivaux
Cowboy v. Samurai (2005)
by Michael Golamco
Ivanov (2005)
by Anton Chekhov
Eyes of the Heart (2004)
by Catherine Filloux
Antigone (2004)
by Sophocles
Tales of Unrest (2003)
Two one-acts by
by Joseph Conrad
Air Raid (2003)
by Archibald MacLeish
Fuenteovejuna (2002)
by Lope de Vega
The House of Bernarda Alba (2000)
by Frederico Garcia Lorca
Harmfulness of Tobacco (2000)
by Anton Chekov
A Phoenix Too Frequent (2000)
by Christopher Fry
Othello (2000)
by William Shakespeare
He Who Says Yes (1999)
by Kurt Weill and Bertold Brecht
Falsettoland (1998)
by William Finn
You Can't Take It With You (1998)
by George S. Kaufmann and Moss Hart
Long Day's Journey Into Night (1997)
by Eugene O'Neill
Ah, Wilderness (1997)
by Eugene O'Neill
The Gaol Gate /
Purgatory
How He Lied to Her Husband /
Village Wooing (1996)
by George Bernard Shaw
School for Wives (1995)
by Moliere
Love Labour's Won (1995)
An Original Revue by William Shakespeare
assisted by Leonard Bernstein, Cole Porter, Richard Rodgers and Lorenz Hart
Our Town (1994)
by Thornton Wilder
The American Dream (1994)
by Edward Albee
The Cherry Orchard (1993)
by Anton Chekhov
A Midsummer Night's Dream (1992)
by William Shakespeare
The Stronger (1991)
by August Strindberg
3 by Chekhov (1990)
The Harmful Effects of Tobacco
Swan Song
A Marriage Proposal
I am
216.14.208.111 You are 38.107.191.111
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NAATCO presents
Leah's Train
The world premiere of a new play by
Karen Hartman
with: Raphael Aranas, Louis Ozawa Changchien*,
Jennifer Ikeda*, Mia Katigbak*, and Kristine Haruna Lee
Directed by Jean Randich
February 6 - 28, 2009
Previews: February 6, 7, 9
Opening Night: February 10
Mondays - Fridays at 7:00
Saturdays at 3:00 and 8:00
TBG Theatre
312 West 36th Street (just west of 8th Avenue)
Third Floor
Tickets: $15 (previews), $20 (run)
www.smarttix.com
(212) 868-4444
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Kristine Haruna Lee as Leah
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The company: Jennifer Ikeda, Louis Ozawa Changchien, Raphael Aranas,
Kristine Haruna Lee, Mia Katigbak
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Louis Changchien, Kristine Haruna Lee, Jennifer Ikeda
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Jennifer Ikeda, Mia Katigbak
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Kristine Haruna Lee and Louis Ozawa Changchien
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Jennifer Ikeda, Mia Katigbak
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Kristine Haruna Lee, Raphael Aranas, Jennifer Ikeda
Photography: Michael Ou
Leah's Train is a gorgeous play about coming to terms with family, with
the past, with the challenges you never have to master, with the ghosts that
sometimes hold you back. Leah's Train is such a brilliantly surprising
play, layered and dense and magical like a Russian Kachina doll. Though the
story is very specifically about a Russian/Jewish family, there's a
universality to this piece that transcends any particular place or ethnic
group. It is instead a trip through time and space that is memorable,
meaningful, and heartfelt.
Martin Denton, nytheatre.com
Well-written and well-performed drama about family and the importance of
cherishing life and connections. When Leah's pain, vulnerability and
literalness meet Ruth's tart modern tirade, a wall breaks down. And the vast
difference in the worlds in which these two grew up smacks us in the face.
Anita Gates, New York Times
Stories of today and stories of 100 years ago happen concurrently, but
through Hartman's artful writing and Jean Randich's equally artful
direction, all is clear. Questions of cultural and familial identity are
given an intriguing twist when taken on by a cast of Asian-American actors,
the drama becoming more universal. While the occasional Yiddish word can
feel incongruous, most of the time the powerful characterizations and the
cast's committed performances transcend expectations.
Ronni Reich, Backstage
The script is filled with coincidences and surreal moments, and it's to the
credit of director Jean Randich and her cast that the action never seems too
unbelievable. The production wisely focuses on the human touches rather than
the fantastic, ultimately telling a simple and moving tale about a family
and the ways it deals with grief and sacrifice.
Dan Bacalzo, Theatermania.com
In Karen Hartman's Leah's Train, Ruth hits the tracks - literally and
figuratively - to reclaim her past and unwittingly repair broken family
bonds. That said bonds are Russian-Jewish is an important detail, and one
that is easily accommodated in the National Asian American Theatre Company's
world premiere. Nontraditional though the casting may be, the actors are solid.
David Cote, Time Out New York
When Ruth, a young doctor, skips her grandmother Leah's funeral, she ignites
three generations of love and secrets. Her boyfriend Ben walks out, her
mother Hannah pays a devastating surprise visit, and Leah's story - a family
legend - intertwines with Ruth's own. Ruth boards a train to find Ben, and
its destination mysteriously becomes her Russian Jewish family's untold
history, opening Ruth to a fuller understanding of her mother, her
grandmother, and herself.
An all Asian-American cast performs this world premiere, creating characters
who are Russian and American Jews. With this production we celebrate a
great moment in this country's history: the inauguration of its first
African-American president.
Set: Katy Monthei
Costumes: Alixandra Englund
Lights: Stephen Petrilli
Sound: Robert Murphy
Assistant Director: Krystal Banzon
Stage Manager: Leta Tremblay
* Appears courtesy of Actors Equity Association

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