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Productions
The Seagull (2009)
by Anton Chekhov
Leah's Train (2009)
by Karen Hartman
Out Cry (2008)
by Tennessee Williams
Blind Mouth Singing (2007)
by Jorge Ignacio Cortiñas
Falsettoland (2007)
by William Finn
The House of Bernarda Alba (2007)
by Frederico Garcia Lorca
The Dispute (2006)
by Pierre Marivaux
Cowboy v. Samurai (2005)
by Michael Golamco
Ivanov (2005)
by Anton Chekhov
Eyes of the Heart (2004)
by Catherine Filloux
Antigone (2004)
by Sophocles
Tales of Unrest (2003)
Two one-acts by
by Joseph Conrad
Air Raid (2003)
by Archibald MacLeish
Fuenteovejuna (2002)
by Lope de Vega
The House of Bernarda Alba (2000)
by Frederico Garcia Lorca
Harmfulness of Tobacco (2000)
by Anton Chekov
A Phoenix Too Frequent (2000)
by Christopher Fry
Othello (2000)
by William Shakespeare
He Who Says Yes (1999)
by Kurt Weill and Bertold Brecht
Falsettoland (1998)
by William Finn
You Can't Take It With You (1998)
by George S. Kaufmann and Moss Hart
Long Day's Journey Into Night (1997)
by Eugene O'Neill
Ah, Wilderness (1997)
by Eugene O'Neill
The Gaol Gate /
Purgatory
How He Lied to Her Husband /
Village Wooing (1996)
by George Bernard Shaw
School for Wives (1995)
by Moliere
Love Labour's Won (1995)
An Original Revue by William Shakespeare
assisted by Leonard Bernstein, Cole Porter, Richard Rodgers and Lorenz Hart
Our Town (1994)
by Thornton Wilder
The American Dream (1994)
by Edward Albee
The Cherry Orchard (1993)
by Anton Chekhov
A Midsummer Night's Dream (1992)
by William Shakespeare
The Stronger (1991)
by August Strindberg
3 by Chekhov (1990)
The Harmful Effects of Tobacco
Swan Song
A Marriage Proposal
I am
216.14.208.111 You are 38.107.191.98
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Up next at NAATCO
Mother Courage and Her Children
A new adaptation of Bertolt Brecht's masterpiece
directed by Ruben Polendo
Welcome to NAATCO
The National Asian American Theatre Co., Inc. (NAATCO) is a tax exempt
(501(c)3) not-for-profit organization formed in 1989. NAATCO's mission is
to assert the presence and significance of Asian American theatre in the
United States, demonstrating its vital contributions to the fabric of
American culture. We present the following repertory:
- European and American classics as written with all Asian American casts;
- Adaptations of these classics by Asian American playwrights; and
- New plays - preferably world premieres - written by non-Asian Americans,
not for or about Asian Americans, but realized by an all Asian American cast.
NAATCO puts into service its total commitment to Asian American theatre artists
to more accurately represent onstage the multi- and intercultural dynamics of our
society. In choosing the repertory above, we demonstrate a rich tapestry of
cultural difference bound by the American experience. The enrichment
accrues to each different culture as well as to America as a whole.
NAATCO performs this chosen repertory as written, with no
forced Asian cultural associations. The repertory's importance comes not
only through the valuable training it provides for theatrical craft, but
also from its ability to reach across ethnic boundaries to illuminate
abiding characteristics of human nature.
The superimposition of our Asian faces on a non-Asian repertory,
interpreted by artists using diverse and truly universal references to
serve the text very faithfully, reflects and emphasizes the kinship among
disparate cultures. We do not say we are all the same, we say that we
have quite large areas of understanding. We also say that affirmations
of timeless values and new insights about old works can come from unexpected faces.
The House of Bernarda Alba (2007)
The Dispute (2006)
You Can't Take It With You (1998)
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