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The Dumb Waiter (2011)
by Harold Pinter
A Number (2011)
by Caryl Churchill
Futura (2010)
by Jordan Harrison
A Play on War (2010)
by Jenny Connell and Rubén Polendo
The Seagull (2009)
by Anton Chekhov
Leah's Train (2009)
by Karen Hartman
Out Cry (2008)
by Tennessee Williams
Blind Mouth Singing (2007)
by Jorge Ignacio Cortiñas
Falsettoland (2007)
by William Finn
The House of Bernarda Alba (2007)
by Frederico Garcia Lorca
The Dispute (2006)
by Pierre Marivaux
Cowboy v. Samurai (2005)
by Michael Golamco
Ivanov (2005)
by Anton Chekhov
Eyes of the Heart (2004)
by Catherine Filloux
Antigone (2004)
by Sophocles
Tales of Unrest (2003)
Two one-acts by
by Joseph Conrad
Air Raid (2003)
by Archibald MacLeish
Fuenteovejuna (2002)
by Lope de Vega
The House of Bernarda Alba (2000)
by Frederico Garcia Lorca
Harmfulness of Tobacco (2000)
by Anton Chekov
A Phoenix Too Frequent (2000)
by Christopher Fry
Othello (2000)
by William Shakespeare
He Who Says Yes (1999)
by Kurt Weill and Bertold Brecht
Falsettoland (1998)
by William Finn
You Can't Take It With You (1998)
by George S. Kaufmann and Moss Hart
Long Day's Journey Into Night (1997)
by Eugene O'Neill
Ah, Wilderness (1997)
by Eugene O'Neill
The Gaol Gate /
Purgatory
How He Lied to Her Husband /
Village Wooing (1996)
by George Bernard Shaw
School for Wives (1995)
by Moliere
Love Labour's Won (1995)
An Original Revue by William Shakespeare
assisted by Leonard Bernstein, Cole Porter, Richard Rodgers and Lorenz Hart
Our Town (1994)
by Thornton Wilder
The American Dream (1994)
by Edward Albee
The Cherry Orchard (1993)
by Anton Chekhov
A Midsummer Night's Dream (1992)
by William Shakespeare
The Stronger (1991)
by August Strindberg
3 by Chekhov (1990)
The Harmful Effects of Tobacco
Swan Song
A Marriage Proposal
I am
216.14.208.111 You are 38.107.179.217
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Next at NAATCO

Two hit-men. A basement. An assignment.
A tragicomic steampunk mystery.
With: Louis Ozawa Changchien and Stephen Park
Featuring the music of Minq Vaadka
Directed by Andrew Pang
Written by Harold Pinter
A short Pinter piece will precede each performance, performed by special
guest stars. The "curtain raisers" will include some of Pinter's best
short works, among them:
Trouble in the Works, The Black and White, Request Stop,
Last to Go, Special Offer,
Night, That's Your Trouble, That's All, and Dialogue for Three
Performed by Cindy Cheung, Jackie Chung, Joel de la
Fuente, Andrew Eisenman, Jennifer Ikeda, Peter Kim, Sue Jean Kim,
Ken Leung, Orville Mendoza, Alfredo Narciso, Nicky Paraiso, Kelly Coffield
Park, Debargo Sanyal, Jon Norman Schneider, Ching Valdes-Aran, Tiffany
Villarin, and James Yaegashi, among others.
Complete curtain raiser schedule and casts
HERE
Joseph M. Gourley (set design)
Adam Cochran (sound design)
Stephen Petrilli (lighting design)
Michael G. Chin (fight choreography)
Charley Layton (dialect coach)
Olivera Gajic (costume design)
Kate Katigbak (postcard design)
William P. Steele (photos)
Ed Herman(stage manager)
October 6, 2011 - November 6, 2011
Thursdays - Saturdays at 8:00pm
Sundays at 2:00pm
Wednesday 10/26 and 11/2 at 8:00pm
Duo Theatre
62 East Fourth Street - btw 2nd/3rd Avenues
(4, 6 train to Bleeker St; F train to 2nd Ave)
Tickets: $25
Previews October 6 - 10: $20
(212) 868-4444
Pinter's subtlety isn't easy to perform. Direct the work too reverently and
you'll end up with a boring, turgid mess; play it too lightly and the result
is a strangely paced farce. I'm happy to report that in the National Asian
American Theatre Company's production of Pinter's one act masterpiece
The Dumb Waiter, director Andrew Pang makes neither mistake. The resulting
production is an excellent one indeed. (Gregory Wilson,
Curtain Up)
Fantastical, funny and slightly disturbing, NAATCO's The Dumb Waiter is a
good aperitif to an evening out, at least something to whet your appetite
for more productions by NAATCO. (Elise McMullen,
Show Business Weekly)
The NAATCO production is a great success. I've rarely heard this much
laughter in a Pinter production, and it admirably was not forced but instead
was mined from the text. There is certainly something exciting about seeing
this work realized with gusto, and what's more, it's part of an enjoyable
evening. (Stephen Cedars, NYTheatre.com)
Actors appear courtesy of Actors Equity Association.
This production is made possible, in part, with public funds from the
New York State Council on the Arts,
the New York City Department of Cultural Affairs, and the
National Endowment for the Arts.
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